Memory, Guilt, and Moral Awakening: An Alternative Ending to A Dance of the Forests
This blog is part of thinking activity given by Prakruti Bhatt Ma'am. Let discusss it : The Incinerator of History: 5 Provocations from Soyinka’s Araba 1. INTRODUCTION: THE UNINVITED GUESTS OF INDEPENDENCE In October 1960, as Nigeria stood on the precipice of sovereignty, the "Gathering of the Tribes" was envisioned as a grand liturgical act of national self-fashioning. The living expected to summon "illustrious ancestors" and "nobility" from the understreams of history to sanctify the new state. However, Wole Soyinka, acting as the nation’s uncomfortable conscience in A Dance of the Forests , performed a startling subversion of this ancestral hagiography. Instead of the caparisoned heroes of a romanticized past, the earth split to disgorge "obscenities"—a bloated Dead Man and a pregnant Dead Woman. These restless dead, heavy with "ancient bitterness and resentment," arrived not to bless, but to ask: "Will you take my case?...